My first language is Russian, my second one - English, and it is my profession,
   I work as a Russian-English editor - interpreter - proofreader - translator.
   But my way of life is Beanile Lace (designing, teaching, writing),
   the result of all this is my book:
   "Tatted lace of Beads,the Techniques of Beanile Lace" published by LACIS in 1998.
   I volunteer at the Costume Institute Library, the department of the Metropolitan Museum of Art;
   the library is a great source of information and the Museum is one big inspiration.

   Have been always fascinated by beadwork and lace of all kinds:
   the richness of lace textile; jeweled filigree work;
   iron lattice of St. Petersburg numerous bridges, embankments, palaces' gates;
   intricate lacey ornaments cut in stone and wood; the shadow patterns which foliage cust on the ground
   on a sunny summer day (in Russian this phenomenon is called 'lace shadow').

   Being an accomplished craftswoman (crochet, hand weaving, hand knitting, machine knitting, sewing)
   by the age of 43, I have come to tatting and beads simultaneously in 1981-82.

   Russian bobbin lace was the first step in my lace education,
   all the students in that workshop were experienced crafts people and very enthusiastic.
   One of them mentioned frivolité, a mysterious name for the totally unknown needlework,
   which she learned from her grandmother or an elderly friend.

   Than and there we (about 10 enthusiastic women) decided to revive it!
   For resources we had a very bad photocopy of a few pages on tatting from a 1902 book
   (it appeared to be a Russian version of Thérése de Dillmont's Encyclopedia of Needlework),
   a variety of cotton and linen thread and no shuttles, - my first one I had to make myself out of a plastic ruler.
   In almost two decades since that time I have acquired a collection of shuttles, and even designed one of them;
   it became my favorite and was naturally called Beanile Shuttle custom made for me in St. Petersburg, Russia).

   Reviving frivolité was a challenge and a great fun.
   Participants of that group became first tatting instructors in Leningrad and Moscow.
   The process of reviving tatting included learning it hands on,
   digging out all sorts of related information, adapting old and designing new patterns,
   teaching the needlework and writing articles, instructions, and books on the subject

   Primarily a shuttle tatter, I do a lot of finger tatting, have taught myself to tat with a needle,
   and plan to master crochet hook tatting as soon as I have a tool.

   I teach tatting and Beanile Lace in New York City and across the country since 1993.

   Tatting with beads has become my way to express myself.

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